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Dan Snaith, as Caribou, has perfected a sad-on-the-dance-floor strain that manages to celebrate love even as it laments the more painful aspects of it.
Laying alone in your mistake.
Make it up to me someday.
Her lyrics expose layers of frustration yet her delivery is almost eerily serene.
Porridge Radio, who met in the U.
But this Porridge Radio refuse to give up the fight as they screech through a final crescendo toward the light.
The music video proves nothing more and nothing less.
Rippling synths and electric guitar color this Technicolor beat.
The distinction here is that, now, Tinashe answers to herself.
Give Tinashe her things!
Their streak continues, but at least now the music and visuals enhance each other.
This song was written while Allison was on the road, thinking about the time she was losing out on with her mother.
It is evaporating through our fingers.
Lyrically, both tracks traffic in detachment, defeat, and impending doom.
The Algorithm Mix is a mind-numbing blend of softly layered synths and relaxed vocals.
They put out a debut album in 2017 and were nominated for the coveted Mercury Music Prize in the UK.
The Big Moon do.
Would you do it all over again?
No matter how you felt about the show, the score slaps.
If Diplo remixed a song, I imagine it would sound something like this.
You know what to do.
I caught the first night in L.
For all those feeling a little pensive as the winter kicks in.
Well, like everything with Diplo these days and always?
The beautifully ridiculous video for this remix has Diplo in Niall Horan cosplay; the actual remix, though, is Diplo in Calvin Harris cosplay.
The track creates a high energy, low energy dynamic, and dances with the idea of this new relationship, or a new phase of a preexisting one.
When she emerged with her debut album a year ago this week, she already seemed to have woken up like Beyoncé or Björk, or both.
You could argue the Spanish performer and producer is single-handedly catalyzing the globalization of pop music, and using her spotlight to showcase the art, history, and culture of her own roots.
Mainly though, the song fucks.
Kuhad looks back on being hopelessly in love, grieving a relationship that once was.
I just want to give this guy a big hug.
Born in Tokyo, Herman moved to New York at a young age.
Around the 1:30 mark, a fluttering of synths disrupts the ethereal soundscape.
Ordinary images take on shapes and sounds: chopsticks pinch, pages ruffle, and legs elongate.
The shift from the guitar-centric Lonerism to the synth-focused Currents made sense because everything still bore the mark of Tame Impala mastermind Kevin Parker: an obsession with transition, with the feeling of being an outsider looking in, and then later, an insider looking out at the world he used to occupy with a sort of weary and wary acceptance.
Well, that and the dynamic drums of this song.
At the turn of the decade, it was one of the first rock acts to contend with being asked about what genre it fit into just as the age of indie tribalism was dying.
Now such bands are expected to genre-hop.
Even at its most low-key, as on this track, his music is fun to listen to and really get inside of.
Back with a disco bang accent strings, a Chic-like bass line, etc.
Dua, wop that thing, girl.
It sounds absolutely terrifying, which is kind of her point.
Falling in love can be scary — fear of the unknown, etc.
Stalagmites are cool, but that would be a real loss.
Plenty of bands go on to release albums for decades, but their fan world a craps bet is what in and the discourse around them sometimes diminishes.
Rather than follow an artistic progression, we just jump to the next thing before the last thing even has time to breathe and figure their shit out.
Deerhunter, thankfully, is a band that has had time to breathe the god slot explore new worlds with each album.
Across its 12 minutes, it moves seamlessly from strutting bar rock to long, almost dubbed-out piano vamps.
Frontman Bradford Cox is an expert at translating vitriol to sadness and back again, but working with a run time like this, he disappears for minutes at a time, allowing the very accomplished band the space to explore all sorts of musical terrain, creating a hypnotic song that never really feels repetitive.
Seriously, how does she get her hair so good???
Our culprit is newfound Justin Bieber.
Over the course of the last decade, Gomez endured a tumultuous on-and-off-again relationship with the artist, who would be to Hailey Bieber six months after his breakup with Gomez.
Seen through this lens, the video is an exploration of the seven stages of grief.
My tolerance for the music of Dan Bejar stretches into infinity, and it should for you too, because he is consistently making music that plays with genre and nostalgia as craps bet against the shooter starting point, moving on to explore the weirdness of life against whatever instrumental backdrop he decides to go with.
Side note: Did you hear the harp?!
How long does Dev make chilling eye contact with his phone camera?
This score video is its own kind of music therapy.
Vincent, Lykke Li, to name a fewand — for me — Missal was beyond a doubt the voice of the night.
The way she tears a stage apart squares up to the muscle of any of her male ancestors too.
Styles refuses to be defined.
The track is a self-addressed letter, full of self-critiques, notes from the negative voice in her head, and accumulating anxiety from outside sources, questioning her purpose as an early-aughts entertainer.
As with some of their alt-rock Icelandic peers, the former teenage stars have become masters at evoking as much emotion and storytelling in the musicality of their compositions as they do in the lyrics.
The tension is released on the chorus though, as they search for a breakthrough in seemingly eternal darkness.
At what point does become infringement?
Revering your musical predecessors is one thing.
Profiting from the past is another.
Though aptly compared to the Allman Brothers, Marcus King is no anachronism.
El Dorado, produced by wunderkind Dan Auerbach of the Black Keys, debuts this January.
Twenty-three-year-old King bends genres to his vocals, which possess a soulful grit, not unlike freshly greased tires on a dirt road.
With every release, be it album, EP, or one-off collaboration, they display a hunger for endless types of music, without ever losing their DIY punk roots.
The Midas touch of Ariel Rechtshaid joins Creevy and her bandmate Tabor Allen in the co-production hot seat, while Portugal.
Its guiding principle seems to be to have fun.
The underlying message is deeply sad and deeply true, but like most Tei Shi songs, it is still somehow a bop?
Turn this track up for the freaky Fall weekend.
Thanks to dizzyingly clear audio from the BBC Radio 1 studio, lead singer Danielle Haim reaches new heights.
He is always bobbing just above the beat, barely staying afloat.
Vincent or Nine Inch Nails.
She writes about solitude, change, and wanting better connections.
If art truly imitates life, and vice versa, then her reinvigorated sound will hopefully reap dividends.
It had a bummer energy transmuted into frantic, gothy-guitar work that lent the whole thing a sort of tightly wound urgency.
The mind is always buzzing, always overactive, always locked in its learn more here internal dialogue.
This goes on for over six minutes and, reader, it is a dream state.
If you or anyone you know suffers from anxiety or any sort of unruly mind, this is a godsend to cancel out the noise.
A hint of funk?
In the video, electric purple-and-green hues decorate a low-lit living room setting commanded by several plus-size models with cheekbone highlights worthy of a Glossier campaign.
Crazy how that works!
The Weeknd is post-breakup, sweet Shia is …, and Brent Faiyaz is releasing new singles.
And it makes him kind of jealous?
It feels like the simulation is on fire and chaos is erupting at every second, between Caroline Calloway, Lauren Duca, and whatever other nonsense involves Donald Trump.
Ariana is to this corrupted, dark gang.
I had to fan myself to cool off.
Sometimes a song can do that; help you recalibrate before you have to face the other music again.
So what would happen if she made an actual, real-deal anthem?
Warped strings crash around thunderous drums, and by the end, when Olsen is performing a sort of controlled wailing, it becomes clear that while the song approaches familiar topics — love and growth and how it can shift and change and disappear as we get older — its sound is something else: an abandonment of nostalgia and warmth in favor of catharsis and unflinching reality.
From Bushwick to Bachelor in Paradise, couples are struggling to define relationships in the face of increasingly fluid dynamics and choice paralysis.
The lyrics capture the threshold between significant and significant other.
In a jazzy Latin track, Camila asks us to continue our Hot Girl Summer shenanigans into the fall.
In five verses, vocalists Brandi Carlile, Amanda Shires, Yola, and Natalie Hemby take turns recounting the moment the life was snuffed out of an ambitious woman.
Each story is more crushing than the last.
Played by outlaw-country elders in a commercial lull, it is a word about resilience.
The updated version scans over 300 years of oppression in less than four minutes, the message being that in spite of radical changes in the human experience, the main theme — people in power keeping other people out of power — endures.
In the opening to the artist-directed video, Grimes kneels on marble steps clad in her signature dark-fairy attire reading The Art of War.
An ancient Chinese treatise considered to be one of, if not the, oldest living military documents, The Art of War outlines 13 preeminent strategies, one chapter at a time.
Listen if you like Taoism, Burning Man, and Arca.
The three artists mourn the mistakes they made to their past lovers and ask for a reply to an apology text left on read!!!
Let this feel-good track quell your end-of-summer woes.
Senseless cruelty is tough to grasp.
You live with the immediate effects, the hurt and self-doubt that stew in your thoughts during the worst of it, but then you dwell on what motivates people to act on their worst impulses, to betray trust, to tear each other down.
The letting go can be as bitter as clams casino im the devil sample strike itself.
The wondering why can cloud your mind long afterward, like the pervasive smell of smoke that follows a fire.
The feeling is quite like having another person take up residence inside your head, soaking up time and emotional resources, just making you angry.
But Charlie knew better, warned himself, and hooked up with this woman anyway!
Was it his ex-girlfriend Halston Sage?
Bald backup dancers; Missy on the moon, jumping rope with braids; and enough wild lipstick colors to go around.
As I made my way through the hills from West Hollywood to Echo Park, I was tempted by the fantasy of missing my flight back to New York and completely uprooting my lifestyle in favor of this sun-kissed bliss.
When you spend a whole afternoon streaming a song on loop, it changes you.
Please bury me in the sand, Lana.
It gets ripped out from us as life becomes more about tasks, responsibilities, consumption, and capitalism.
We infantilize the idea of it.
We think they have it easy, that we know better.
Don McLennon and Matt Champion spit two verses of unapologetic raps on an otherwise confused and melancholy song.
Towards the end of the track Kevin Abstract yes, I know just his name gets you hot chimes in on the bridge, rapping once again about … passports.
At a dinner party in Williamsburg, band members Max Vehuni and Benji Cormack outline the daily routine that went into the making of their upcoming album, komorebi, due in September.
Ariana has since loaned Normani her MV director Dave Meyersproducers Max Martin, Savan, and Ilyaand even her own pen she has a co-writer credit on the single.
Its nostalgic simplicity is nostalgic in that way — going back to the basics of the genre suits Normani well.
The more songs they played, the closer the audience moved toward the four-piece, and with that, more Big Thief fans were converted.
They are a traveling band clams casino im the devil sample every sense, hawking their gorgeous songs about tiny and enormous catastrophes from pillar to post.
This just might be their finest song ever — adding to their catalogue of near supernatural excellence.
The flirting continues in their lavish music video, directed by Cliqua, RJ Sanchez, and Pasqual Gutierrez.
It suits the fact that the song is an ode to the New York skyline, capturing a moment of throwing open the curtains and staring out at the man-made beauty of those tall towers stacked proudly next to one visit web page />She also fell in love in that time.
You can hear her heart swell as the body of it builds.
Chill, sophisticated, high as a kite.
Alex G, you got me again.
Also: the incredible generosity of this clams casino im the devil sample to release it on my birthday.
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This is a time to cry and mourn and feel the exhaustion, but to also channel the pain into action.
Lana Del Rey took a flight back from Montecito, phoned her producer Jack Antonoff, and immediately hit the studio to process her feelings about the multiple massacres over the weekend.
The Big Moon are typically a twangy-based indie fourpiece from London.
They experienced the type of success on their debut LP that most pub-dwelling British bands could only dream of, including a prestigious Mercury prize nomination.
The test for such bands is always in proving that they have more tricks up their sleeve.
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Eldest sister Este studied Ethnomusicology at UCLA.
Youngest sister Alana barely even applied to colleges, so certain that she was going to be in a band with her sisters.
In music, they find happiness.
So Haim turn to the masters.
As Danielle explained in a social media post, the song began to come together as a little ode to cheer her partner and its co-producer Ariel Rechtshaid while she was on the road and he was at home sick with cancer.
It can provide a smile through struggle.
It can bring sun to gray skies.
It can reignite your faith in love when all you want to do is cry.
I felt so seen in the narratives of misfits that refused to conform to the status quo, desperate to fast-forward to the next stage of their young adult lives where they would be accepted as their truest selves.
Gah, the minds of women are so powerful!
Because of this perpetual forward movement, fans are always looking for the next thing.
Of course, he did not do that.
It would have been ridiculous and unnecessary.
At first, it feels like an outro, but it quickly becomes something more than a throwaway capstone.
In the video, lead singer Arrow de Wilde makes clown makeup great again while practicing her exorcist routine.
Meanwhile, the boys look like they ambushed a Depop store.
Usually this manifests in brightly colored videos, or moments of childlike exuberance.
Instead it seems designed to rebuke those who felt like Brockhampton were riding the boy-band gimmick too hard — this is purely a strong, unflashy mid-album rap track recontextualized as a single.
Finally, finally Taylor will let her guard down and rest — fighting is so exhausting.
Chance, of course, is excellent on the track as well, romantically remembering days past velcro shoes and not-so-past Will Smith as Genie.
The song melts various memories into one long summer — perhaps, even, 500 days of them?
Greta Thunberg, a 15-year-old climate-change activist, does.
When I listened to what Thunberg had to say, when I heard the way the 1975 were engaging with their audiences, when I imagined Matthew Healy giving his stage to another leader half his age because she believes that we still have time to make a difference, it actually calmed me down.
RIP Mac Miller and Lil Peep.
I think this is going to be a worldwide phenomenon.
The New Orleans artist clams casino im the devil sample songwriter passes the test with aplomb.
May you finish your summer with the same confidence.
She is the sister everybody would want.
She is the friend everybody deserves.
Vivian Girls, disciples of the 2000s noise-pop implosion, took their love of joyful girl-group harmonies, the Ramones, and bright, blown-out guitar fuzz and transformed into extraordinary mp3 blog fodder.
Except, of course, their songs speaking, poker in the pub possible timeless compared to the forgettable riffing that dominated New York City warehouse venues and college radio is winstar the worlds largest casino 2009, and as women in a DIY network ruled by dudes, they were progenitors of whatever progress the space has encountered in the years since their disbandment.
Its drums sound like fireworks being set off inside a closed steel container.
The song closes with the residents of a house calling out the name of their dead friend, throwing bottles out the window.
Van Morrison, at his best, writes wistful songs that feel almost vaporous.
You were looking weird, you were moving kinda strange.
Big Sound Festival, back in 2016.
She was based there at the time as a student by way of Botswana.
So when a missive from London-based label Ninja Tune came this week with news of her debut LP, I was highly intrigued.
Still, the song is a win for both teams.
Beyond the actual song, this remix proves how far the teen has come — and in such a short time.
Forget Hot Girl Summer; this is Sad Girl Summer.
Save the date for September 20!
Though Mae wrote the song as a teenager in her native town of Terlingua, Texas, the song functions as both a love letter to the south-Texan desert and a portrait of the girl who left it behind.
Lillie Mae is part of a new generation of country singers.
Honey-dripped vocals and earnest reflections remain center stage, but the image of the artist herself is grittier, the stories darker, and the characters relatable on a more visceral level.
The milestones Mae sings of are murkier, more elusive, than first dates and Friday nights.
The pair met through DJ Luian in 2016, and since then, both have built formidable careers.
Their voices are low, weaving around each other to the point where each individual artist is almost indiscernible.
Welcome to the Oasis.
The song is its own singular world and one of the best things Yorke has made without the rest of Radiohead.
I hope he never makes another song like it.
The performance is not the main attraction.
Instead, her voice is softened and distorted, melted into the free-form funk instrumentation.
Who are you singing about?!
It takes a deft, wise songwriting hand to hit that sweet spot—and as it turns out, Lucy Dacus is just the songwriter for the job.
And she makes it sound so good, too.
Veer towards the experimental and you risk turning off mainstream listeners.
Against the backdrop of a steady, bass-heavy beat, Drake raps about how rich and on top of his game he is.
Sometimes personal epiphanies arrive in the form of well whiskey at the airport, or in this case, drinking margaritas at the mall.
Darker or less dark than drinking at the airport?
Something like this probably happens every day at the remaining malls in the U.
That David Berman is able to make it sound noble but still sad is a great skill.
Sometimes we peak early.
That said, where Lil Nas X may already be running out of road, the young NYC production duo Take a Daytrip are just starting to find their lane.
Most of the songs on the EP sound like they were microwaved a few seconds before release time.
Plenty of bands go on hiatus, but with the Hold Steady it made a bit more sense.
Each song is a short story: a collection of misguided nostalgia transmuted into tiny details that evoke a feeling of sentimentality.
It is bad bitches living their baddest bitch truth.
Writing songs about feeling exhausted that sound decidedly unbothered.
The the at on casino roulette winning runs just under five minutes, but in the right groove you could imagine listening to it for hours on repeat.
That he collaborated with fellow Brit Tom Misch to serve up some sinister funk is almost too much.
He raps everything at pretty much the exact same speed, and like some kind of menacing but not especially emotional Godzilla, he destroys everything in his path.
He may have just landed himself, at No.
Packed with plenty of features — from Pusha T, Tyler, the Creator, Khalid, Bibi Bourelly, and more — the debut album the others click the following article technically mixtapes is a certified bop.
Featuring Tyler, the Creator and Jay Prince, this song will be booming loudly on every block this summer.
GoldLink, thank you for the perfect summer vibe.
Lætitia Tamko is shifting the music landscape as we know it, remember her name and follow her lead now.
And she comes at night just as the singer is about to give up and fall asleep.
This other person is loud and unpredictable.
If not, why not?
We damn well should.
You have my attention again, Jillian.
Paak to ooze out a melodic rap that calms things down and closes out the song.
A handful of critics, friends, and collaborators form a crescent around the 24-year-old Brit.
Some recline on velvet couches while others sit cross-legged on the floor.
Nine minutes and 5,000 vocal parts later, the curtain drops.
It turns a staid lullaby into a living chorus that sticks with you long after its final note.
It builds into a cacophony of voices 144 in total singing overlapping, elongated parts.
Collier reached out to featured collaborators with a simple ask: record yourself singing moon in B-flat and send the video clip his way.
They are, respectively, impossibly prolific and yet rarely sacrifice quality in saturating the global market.
Their first-ever collaboration is produced by Stargate, the legendary Norwegian duo responsible for some of the best Britney, Rihanna, Beyoncé, and Katy hits; BTS and Charli were not fucking around.
Those larger-than-life synth swells are the DNA of Scandinavian pop production, and are also the foundation of this song.
In the film, that Vulture essentially, Park plays Marcus Kim, the lead singer of Hello Peril, a good?
San Francisco local band that has exactly one hit.
Alex eases us in with a familiar feeling of comfort by using an acoustic guitar, metallic piano, and faint pitter-pattering drums before coming in hot with synthesizers and manipulating his vocals by shifting the pitch.
With their second album confirmed for later this summer, 2019 is about to be theirs.
Justin Vernon premiered new material at a concert last weekend, and before you knew it he was unveiling a new website with some of those new songs for your home-listening pleasure.
Three years later and the boys are back to kickoff the start of summer with a batch of fresh tunes that make you feel alive.
While I never want them to depart for that long again, I fully respect their process.
Her latest solo single is eight and a half minutes of sneaky, brilliant house music—the type of tricky bliss that Vladislav Delay once achieved on his classic Luomo record Vocalcity, only these grooves come from frequent Murphy collaborator Crooked Man.
Listen to this in the dark — or anywhere else, really.
This is quite possibly the best way to kick off Pride.
Sound like a lot?
Well the chorus is contagious, so watch out.
Vincent at the start of the year, but it was also welcome.
Vincent had since continued to become one of the most versatile and vital gifts in alternative rock.
It also created a palpable thrill for what such a collaboration might sound like.
Well, it sounds like an angular guitar battlefield in which nobody crosses the desires of the women instigating this party.
Call me crazy, but over the past five years the Voidz have gone from brown-sound annoyance to one of the most interesting rock bands going right now.
Callinan, it sounds a little like house music, and features liberal amounts of Auto-Tune.
Yup, sounds about right.
The music was always good, but somehow as the music got better, the band found themselves in more perilous situations.
Some lineup shifts and life struggles later, front man Austin Williams, bassist Cavan McCarthy, and keys man James Balmont now return with new players.
New music from William Bevan — one of the most influential dance producers of the last 20 years, full stop — is always cause for celebration, and the heads surely salivated this week at the announcement of a new two-tracker out next month from his longtime label home Hyperdub.
Cue the King Princess drop-your-debut-album challenge.
The Puth co-wrote and co-produced the thing!
Certain moments vibe much harder than others.
In other words, another curveball from Clairo, and undoubtedly not the last, either.
This single smashes so hard, I want it to come on every time I step out on a rooftop.
I was a philosophy major.
Dystopian, but make it disco.
I am still longing and seeking something more.
Who I am is not a place at which I can arrive.
On Fever, Megan Thee Stallion bounces between freaky and greedy, rapping about doing hood-rat shit with her friends, going to Pappadeaux real ones knowand ignoring every man until they start talking about having sex with her.
Lot to unpack here, so pull up a chair.
The song combines the infectious energy that has catapulted both Ozuna and Maluma to the global stage over the past year.
Where I pulled that comparison from goes beyond my own understanding, but I said what I said!
Summer is right around the learn more here and this album will have been worth the wait whenever the Canadian trio is ready to share it with us.
Plucked from her retail gig after a stint playing on the streets of Byron Bay made her anTones and I delivered her second single earlier this week.
Not exactly a cheery sentiment but an indie bop for fans of the Cranberries and, naturally, the Pogues.
Ari knows what she wants, and just wants you to stay a little longer.
Us girls can be fuckboys too.
In fact, many of us wear the badge proudly.
The LA-based New Yorker is using her platform for great things: body positivity, queer visibility, humor!
The first album Lee produced after recovering from the incredibly rare brain disease Moyamoya, Lune Rouge is a compilation of melancholic vocals lifted by frenetic beats.
In the months following her surgery, Lee experienced the temporary derailment of her music career.
Is anyone else craving the gentle embrace of summertime sadness paired with the warmth of sunshine, or is that just me?
Her 2014 breakout album Goddess is full of gut-wrenching lines coated with syrupy vocals.
If your eyes have not been blessed by this clip yet, please behold 4-year-old Zahara Noel turning all the way up to this song.
I did not care about this song before I watched this child do her thing to it.
Bop goes my heart!
I, too, would prefer to keep things minimal in my adult life — why make things complicated for no reason?
Also, who even likes going to the club past the age of 22?
Lizzo gets a lot of praise and, suddenly, now more and more flak for her very specific branding of self-love.
For Lizzo, loving herself is what keeps her alive and fulfilled.
Vulnerability has never sounded so powerful, I am shaken to the fucking core.
Truly worth the wait.
Beyoncé was a mentally battered woman onand it took guts to admit those feelings of defeat she suffered in such a public way; it also took time and a lot of clarity, being removed from the pain and having reached a resolution.
Neither version is superior to the other.
They merely represent Beyoncé at different stages of grief.
It sounds more like a stripped-down New Order disco banger than it does any of her prior influences or musical bedfellows.
Via an irresistible mid-song breakdown, Hackman makes way for a multilayered vocal on the final chorus and some deeply satisfying guitar shredding.
Her state of confusion and bewilderment in the lyrics creates a sense of giving zero fucks about taking risks for the future.
With her lullaby vocals and introspective musings, Dacus tells her own tale while transporting the listener to their own memories.
She delivers her lyrics slowly, purposefully, over simple guitar harmonies.
We were all thinking, Who does this guy think he is?
I thought that the peach would have peaked by now with Call Me by Your Name running its course and all, but it still seems to be in its prime.
Ives crafts poptronic music with an indie flare from her bedroom in Queens.
Brooklyn-born Ives is emblematic of a new kind of triple threat: a female artist who writes, sings, and produces her own tracks.
Music production is a historically male-dominated industry.
There is an addictive eclecticism to her sound.
Unsurprisingly, she quotes a range of influence, from M.
Hit play and coast.
But one thing still confounds me: How can someone with such universal appeal — to be human is to be a Beyoncé fan — remain so loyal to her base as to cater to them, even now, without a care for how doing so might exclude the masses?
In the 2000s, she was riding the electro-clash trend.
Though his collaborators often receive more notoriety from their vocals, Ronson is paramount in the production world.
Ronson has been teasing hits from his fifth studio album all year, but his collaboration with underground bedroom-pop sensation Lykke Li feels different.
It leans into discotheque and away from pop tropes.
The sparse beat creates maximum feels.
Paak has gifted us a new catchphrase.
The California native made waves this week, from Indio to the internet.
Last Friday, he dropped his latest album, Ventura, before taking the main stage at Coachella to play one of the coveted dusk sets.
Paak released Oxnard, an album that polarized fans and critics alike.
Over a high-energy beat.
Paak incorporates a seductive playfulness into the lyrics.
Paak is far from reaching his peak.
The bass tone sounds like you could wring a full glass of orange juice out of it.
This girl is begging to be featured in all of your hipster music videos.
Lungbutter weighs down their noise rock with the sense that time is running out, that they could be cut off at any second.
Once again, Steve Lacy just gets it.
Now, give us the debut album!
When you think of original, witty, relatable, consistently on-point songwriters of the past decade, the Perth-dwelling Barnett is the first that springs to mind.
Heavy on the collaborations Bootsy Collins and Snoop Dogg have cameosRide Waves is worth a full listen.
Crumb is a Brooklyn-based four-piece band that reminds me of the music that my buds from Boise, Idaho, make — which is meant as a huuuuuge compliment.
Their debut album Jinx drops on June 14, and I can only imagine that the other nine tracks are just as promising as this standout single.
Front person Amy Taylor sports a mullet and performs with a dangerous cheek — she has to be seen to be believed.
It whispers come hither from the shore.
TikTok savant with our old friend Robby Ray Stewart to make the best country-rap song that ever existed.
Forget trap music, I want to stand atop a tractor and belt this remix till the cows come home.
Most importantly, do we think Tish Cyrus actually has a bad Fendi sports bras habit?
Because, of course, Ari spends her off time still very much on.
Even her losses are a Goddamned win.
It feels familiar and new, like seeing the sun rise and marveling at the uniqueness of another day.
I can be a cynic sometimes.
This was really fun!
Name me another setting — besides the rare fundraiser — that gives this many legends the opportunity to cross-pollinate and clams casino im the devil sample out for a few minutes, just because they can!
House music has taken on a new role for me in the past 18 months.
On January 1, 2018, I decided I was going to stop drinking.
Since then I have sought healthier avenues for release, ways to access the tips of my neurons and the flush in my cheeks and the flurry in my chest without making a tit of myself.
House music can be sustenance, and Hot Chip have become masters of ante holdem craft.
In a single from Khalid croons about keeping his phone fully charged, hoping his crush calls him back soon.
They must … just be super busy, right?
The latest opinion poker at the adelaide casino confirm from Here Comes the Cowboy is simple and wistful, a single bent guitar line slithering between his voice, brushed drums, and a simple strum.
The lyrical sentiment is all in the title, really — sometimes, things are just simple that way.
Her latest single is a delicious slice of dream-pop that sugarcoats the gradual unraveling you go through after a break up.
There is a genre-bending quality to their music I find irresistible NPR.
Please forward to my future romantic prospects.
Go forth, bury me!
Layering sultry vocals over a tribal beat invocalist Jillian Hervey and producer Lucas Goodman find their groove with Cosmic Wind, their 15-track album released earlier this week.
This song feels like awakening from a winter sojourn to find your sex drive intact yay!
Double-time drums and cascading piano notes are the lifeblood of this song.
She was a muse.
She was an enigma.
She was an actor.
She was a recluse.
She was a fantastic pop star.
In luminaries like Debbie Harry and David Lynch, she found the greatest of champions.
And everybody has anticipated its follow-up since.
Last year, she releasedwhich may have made some indication as to her more recent interests.
Her vocal breathes over NIN-style turgid depths before she flies up into a chorus that has more in common with PJ Harvey or Tori Amos than any of her current peers.
Deliciously interesting and well worth the wait.
It may sound gimmicky, but Eilish weaves it all together perfectly.
Just an instantly memorable moment on.
She has since rebranded as just MARINA, and in removing the character that never fully felt quite right for her, she inevitably finally sounds like herself.
The candy-crusted synthesizers, hi-hat blasts, and subtle bass drops bring me back to early Skrillex singles, which mined YouTube when YouTube was not yet a repository for fascist propaganda.
Of course, Jlin outpaces Skrillex and his cohort of web-native millennial men by a mile in terms of technical dexterity.
It sounds unique, fresh, and a challenge for any other artist to reproduce, at a time when so few songs ever do.
The album is 28 minutes of bittersweet bliss as the New York band tackles the devastation of loss by turning to their community for support.
It evokes nostalgia at its core, and not for the 1980s — rather, for about five or six years ago, when every single band and artist coming forth seemed committed to reviving the slick and weird synth-pop sound that the Knife froze in amber with their 2000s classic Silent Shout.
Barnes is clearly keeping the dream alive.
What we have here is a mishmash of meaningless words — one of many from her new project, phAses — that serve no other purpose than to make Melii, and anyone listening to Melii woman especially feel like the absolute shit, even if it could be further from the truth.
You are that bitch.
I classify this genre as the social media spiritual and I want 1,000 more like it.
No, I will not perform well, but yes, I will get what I want, and God help the one who tries to stop me.
The all-male quintuplet who make up the Australian metalcore band Windwaker got their start inland, in the city of Wagga Wagga.
Whispers loom before hard-hitting growls; the contrast is nothing short of magnetic.
These are worth keeping your ears on in 2019.
March 22, 2019 There is no one churning out BBW anthems better than.
But before her, there was Missy Elliott as its lone delegate, as far as the music industry allowed for plus-size black women, anyway.
But back to the track … Social climbers really get you in a cold mood, and sometimes you need to vent about it!
It sounds like spring, and Lord knows we could all use a little more daylight these days.
Affecting strings and layered vocals hauntingly echo over frenetic chords.
As technology advanced, the necessity to trip adversaries up with M.
Escher—like confusion ceased to exist, but the metaphor remains apt for Austin- and now New York—based post-punks Institute, and their perception of society.
The first single from her next album is the dawn of a new phase, and benefits from a generous incubation period.
The final minute features a playful transition to an uptempo beat signifying her arrival Stateside.
It skips with glee toward new beginnings.
Does he sit there in silence, zipping up his hoodie?
And does Tobey Maguire roll his eyes and make an excuse to the gaggle of 20-somethings that are perma-installed wherever Leo DiCaprio lives?
Does Lukas Haas just point to the speaker and ask someone to skip the song?
Truly, I would love to know.
We spread ourselves into the devices we use daily.
The body, the home, the desktop computer, the iPhone — they all form a living circuit.
I found the whole idea of it eyes-rolling-in-the-back-of-my-skull boring, confused as to how anyone would have the desire to invade the personal space of someone else while waddling like a pair of awkward penguins with nowhere to go.


Clams Casino Lecture (Madrid 2011)


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Known as Clams Casino to the rap world, he's landed production credits for the likes of Soulja Boy and Mobb Deep's Havoc by way of sheer ...


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